Darwin Can Dance! The Evolution Of Pop Music

Why do most people over 40 hate today’s music? Why do your grandparents keep playing their “Malt Shop Memories” CDs? Why does your mom start dancing when she hears Wham! and your dad start nodding his head wildly when he hears Motley Crue? Why does your Uncle never shut up about how Nirvana was the greatest band ever because they "changed everything"? 

As evidenced by their song, "Do The Evolution", Pearl Jam appears to be well-versed in evolutionary theory. But was the advent of grunge the most radical change in the course of modern music history?

Despite the cliché, the song does not remain the same. Just like biological organisms, music evolves - and where there is evolution, there is science. The modern rock band, As I Lay Dying, sings it best: “The Only Constant Is Change”. 

As I Lay Dying is not the kind of music your parents are going to understand. You can hear them now as they cover their ears, “Turn off that racket! My ears are bleeding! You call that singing? He’s just screaming! Back in my day…” and so on.

Elvis Presley is commonly known as “The King of Rock and Roll” for popularizing a groundbreaking style of music in the 1950s that fused rockabilly, country, and rhythm & blues. To this day, he remains the best selling musical artist of all time, having sold in excess of 600 million records.

With this extraordinary popularity, you’d think that his type of music would still be going strong, but one look at today’s pop music chart and you’ll quickly see that there is little on there that resembles the music Elvis brought to the world. On the contrary, there are styles of music on the charts now that Elvis never could have imagined. At the time this article was written, the #1 song on the Top 100 Billboard chart is “See You Again”, which sounds nothing like the music that was popular prior to the 1990s.

While the reason remains debatable, there’s no question that music changes over time. However, our favorite music tends to be what was popular during the most impressionable years of our youth, between ages 12 and 22. Music heard during that window in our lives appears to get hardwired into our brain, forever serving as a powerful stimulus for dopamine release, a neurotransmitter that makes us feel pleasantly satisfied (perhaps "comfortably numb").

In a new study published in Royal Society Open Science, evolutionary biologists and computer scientists “come together” to advance our understanding of pop music’s evolution. The researchers analyzed 17,000 songs from the US Billboard Hot 100 charts from 1960 to 2010 in order to identify the greatest musical revolution in recent US music history. Was it the famous “British Invasion” led by the Beatles and the Rolling Stones in the 1960s?

Was it the rise of disco in the 1970s, led by the Bee Gees, Village People, and KC & the Sunshine Band, or maybe the earth-shattering hard rock of Led Zeppelin?

Could it be the rise of synth-pop and electronic music by the likes of Madonna, Duran Duran, or Howard Jones in the 1980s?

How about the meteoric rise of those late 80s hairbands like Bon Jovi, Poison, or Warrant?

Or maybe it was the gritty angst of grunge that blasted onto the scene with Nirvana, Alice in Chains, Pearl Jam, and Soundgarden?

None of the above is correct, at least according to the criteria used by the authors of the study, which employed “cutting edge methods from signal processing and text-mining to analyze the musical properties of songs. Their system automatically grouped the thousands of songs by patterns of chord changes and tone allowing researchers to statistically identify trends with an unprecedented degree of consistency.”

The biggest upheaval occurred in 1991, but not with grunge…it was with hip-hop. Starting in the mid-80s, rap and hip-hop began climbing a steady ladder to the mainstream, with the help of artists like Run-DMC, Beastie Boys, Salt-N-Pepa, and LL Cool J. But 1991 was a watershed year with huge breakthroughs for hip-hop artists like N.W.A., Ice Cube, Ice-T, 2Pac, TLC, and Public Enemy. The radical changes in lyrical content and delivery, arrangement, and the diversity of sounds culminated to make hip-hop one of the most innovative changes to music in recent history.

With these powerful tools to analyze how music has evolved over the past 50 years, one has to wonder if it is possible to predict how music might sound in 2065.

Contributed by:  Bill Sullivan

Follow Bill on Twitter.

References: 

http://www.sciencedaily.com/releases/2015/05/150506084811.htm

Matthias Mauch, Robert M. Maccallum, Mark Levy, Armand M. Leroi. The evolution of popular music: USA 1960–2010. Royal Society Open Science, May 2015 DOI: 10.1098/rsos.150081

Salimpoor, V., Benovoy, M., Larcher, K., Dagher, A., & Zatorre, R. (2011). Anatomically distinct dopamine release during anticipation and experience of peak emotion to music Nature Neuroscience, 14 (2), 257-262 DOI: 10.1038/nn.2726

The Song Remains The Same

If you’re going to copy a song, best avoid one called “I Won’t Back Down”. If you’re over 40 and happened to hear the hit song “Stay With Me” by Sam Smith, you probably had a sense of déjà vu, since the song’s chorus sounds a lot like Tom Petty’s 1989 smash, “I Won’t Back Down”. The video mash-up below shows just how similar these tunes are:

Long story short, Smith claimed this was a complete coincidence, but agreed that Petty and his songwriting partner Jeff Lynne (E.L.O.) should receive co-writing credits for “Stay With Me”. Petty stated that, “these things can happen” and believes it was a “musical accident, no more no less.” Case closed.

Of course, this isn’t the first time a songwriter has been accused of borrowing heavily from a previous song. In fact, this has happened to Tom Petty at least one other time before. Not all of these disputes end on “a happy note”. If you’re curious, there is an entire web site dedicated to pointing out similarities between songs.

But should we really be surprised? There are only so many chords, isn’t there a limit to how many ways they can be strung together? Moreover, our ears are turned on by certain chord progressions, further limiting the combinations an artist can chose from if he/she wants a lot of listeners to enjoy the tune.

In addition to the limited combination of chords that sound pleasing to our ears, some musical genres also suffer from coming up with original lyrical content. This phenomenon was illustrated by a recent demonstration of how modern country songs sound exactly the same. Not to single out country - other musical genres are also guilty of churning out songs in cookie-cutter fashion...and science has found an explanation for this.

First, let's consider how many possible songs can be written. This has actually been calculated and you math fans can check it out here. For the rest of us, the calculation shows that the number of possible 5 minute songs is 2 to the 211 million power, which is a gargantuan number way more than even the total number of hydrogen atoms in our universe. Applying additional filters, such as limiting the octave and the number of notes to those most commonly used, there are still 79 billion possible combinations. Watch Vsauce break it down:

With so many possible songs that could be written, why do chart toppers usually sound the same? For a song to resonate with a large number of people, it has to balance our competing desires for predictability and unpredictability. This was perhaps best articulated by the composer Arnold Schönberg, who held that music must meet “the demand for repetition of pleasant stimuli, and the opposing desire for variety, for change, for a new stimulus.”

Trying to address why simplicity sells, scientists have found that music becomes “increasingly formulaic in terms of instrumentation under increasing sales numbers due to a tendency to popularize music styles with low variety and musicians with similar skills. Only a small number of styles in popular music manage to sustain a high level of instrumentational complexity over an extended period of time.”

Which style of music has had the longest legs in sustained complexity and popularity in musical history? Drum roll…folk rock.

Contributed by:  Bill Sullivan

Follow Bill on Twitter.

Juslin PN (2013). From everyday emotions to aesthetic emotions: towards a unified theory of musical emotions. Physics of life reviews, 10 (3), 235-66 PMID: 23769678 Percino, G., Klimek, P., & Thurner, S. (2014).

Instrumentational Complexity of Music Genres and Why Simplicity Sells PLoS ONE, 9 (12) DOI: 10.1371/journal.pone.0115255

Heaven or Hallucination?

Benjamin Franklin once proclaimed, "In this world nothing can be said to be certain, except death and taxes." While most of us can begrudgingly deal with taxman, we have a much harder time facing the Grim Reaper. It is this fear of the finite that has put the notion of an afterlife at the center of many world religions. Like a good book, we simply don’t want our life's story to end, so most people believe that there must a sequel.

Long ago, people used to think that Heaven was up in the sky. Led Zeppelin even implied that Heaven was accessible via a stairway available for purchase. A more modern idea is that Heaven is transcendental, perhaps in another dimension that is inaccessible to scientific instruments.

What does science have to say on the subject of Heaven and the afterlife? Ancient notions that Heaven resides on mountaintops or in the clouds have been dispelled, and our exploration of the universe so far has not uncovered any evidence of a physical Heaven. The failure to find evidence does not necessarily negate the possibility, but our knowledge about the universe has prompted a change in how most people conceptualize Heaven. Since Heaven is now considered by most to be an ethereal realm unreachable to the living, scientific analyses do not apply and the afterlife must remain a matter of faith.

 

However, some argue that there is tangible evidence of Heaven based on eyewitness accounts of people who've been there during a “near death experience”, or NDE. When evidence is put forth, science is obligated to scrutinize the claim. People surviving a NDE awake with an unshakable feeling that they’ve traveled beyond the confines of their body. You may have heard about the recent case of Alex Malarkey, a young boy who was in an automobile accident in 2004 that left him paralyzed. With the help of his father, they penned a bestselling book in 2010 called, “The Boy Who Came Back From Heaven”. But a couple weeks ago, Alex (now 16 years old) admitted that his story was, um, malarkey. Alex now claims that he made up the whole thing as a child because he “thought it would get him attention”. Consequently, the book has been pulled and the million or so people who purchased it are feeling as deflated as a New England Patriots football.

Rock singer Bryan Adams also once thought he'd died and gone to Heaven.

But turns out he was just love-struck.

We are so eager to feast on these personal accounts of an afterlife that a whole new genre of entertainment has been christened “Heavenly Tourism”. Heavenly Tourism is now a big business, even getting a major motion picture in 2014. Some cases appear to bring real credibility to the phenomenon, such as Eben Alexander, M.D., the neurosurgeon who wrote the bestseller “Proof Of Heaven” after his NDE. While science is not a system designed to test matters of faith, researchers can examine what is going on in the brain during NDEs.

“Flatliners” was a movie from 1990 about a group of medical students who tried to reproduce NDEs in the lab. The real miracle is that most of these actors were able to resuscitate their career after this movie.

Dr. Steven Laureys heads a Coma Science Group in Belgium that studies NDEs very seriously. His research is revealing that patients who have a NDE form memories during this period that are unusually vivid, feeling “even more real than real”. Dr. Laureys asserts that the lucid nature of these NDE memories fools many people, including Dr. Eben Alexander, to believe they were real events. But Dr. Laureys attributes these powerful experiences to a dysfunctional brain.

According to Dr. Laureys, there is no evidence that consciousness exists independent of brain activity. In other words, patients forming memories during a NDE were not dead, and the images they retain were the natural result of residual brain activity, which can persist for some time even after the heart stops beating. Further evidence that heavenly visions are not real is that they can be reproduced when certain parts of the brain are artificially stimulated. Oliver Sacks has also written extensively about how the stimulation of certain brain areas can produce an array of transcendental experiences that feel absolutely real. Psychedelic drugs can have a similar impact on the brain.

Supportive findings have emerged from studies that record brain activity in dying rats. In rats that would be considered “clinically dead” by human medical standards, researchers observed a surge in specific brain activities that are signatures of “hyper-consciousness”, the same type of phenomenon that Dr. Laureys observes in patients reporting a vivid NDE. 

Neuroscientist Andrew Newberg studies the effects that certain religious practices have on the brain, pioneering a new discipline he calls "neurotheology" that aims to identify the biological underpinnings of spirituality. His studies have revealed why NDEs often leave the impression that you traveled down a tunnel towards a bright light. According to Newberg, peripheral vision is lost during a NDE, producing the sensation that one is in a tunnel.
 

The more we study NDEs, the more it becomes clear that there is a neurochemical basis that explains the imagery and sensations. Collectively, these studies raise a red flag about the validity of Heavenly Tourism, so buyer beware. Those offering to be your tour guide may be teaching you more about neurology and psychology rather than what may await us when the brain truly shuts down. Heaven is outside the realm of scientific examination, so the afterlife remains a matter of faith.

It has been posited, however, that our growing scientific knowledge gives less credence to the supernatural, making an afterlife seem highly improbable. Stephen Hawking has proclaimed, "I regard the brain as a computer which will stop working when its components fail. There is no heaven or afterlife for broken down computers; that is a fairy story for people afraid of the dark." John Lennon once asked us to image no Heaven. While the thought of a finite existence is unfathomable to many, the truth is that the only existence we can be certain of is the one we are living here and now. Embracing the possibility that life is a one-take movie can inspire us to do wondrous things with the time we have alive. Knowing that we will not be reunited with friends and family in the Great Beyond should prompt us to cultivate better relationships with them now. The logical course of action is to treat our life as a fragile and precious commodity, taking good care of the body and mind and enabling others to do the same, which interestingly agrees with the prime directive of most religions. 

 

Contributed by:  Bill Sullivan

Follow Bill on Twitter.

For more information:
 

Thonnard, M., Charland-Verville, V., Brédart, S., Dehon, H., Ledoux, D., Laureys, S., & Vanhaudenhuyse, A. (2013). Characteristics of Near-Death Experiences Memories as Compared to Real and Imagined Events Memories PLoS ONE, 8 (3) DOI: 10.1371/journal.pone.0057620

Borjigin, J., Lee, U., Liu, T., Pal, D., Huff, S., Klarr, D., Sloboda, J., Hernandez, J., Wang, M., & Mashour, G. (2013). Surge of neurophysiological coherence and connectivity in the dying brain Proceedings of the National Academy of Sciences, 110 (35), 14432-14437 DOI: 10.1073/pnas.1308285110

Newberg AB (2014). The neuroscientific study of spiritual practices. Frontiers in psychology, 5 PMID: 24672504

Blanke, O. (2005). The Out-of-Body Experience: Disturbed Self-Processing at the Temporo-Parietal Junction The Neuroscientist, 11 (1), 16-24 DOI: 10.1177/1073858404270885

Physicist Sean Carroll recently gave a lecture that debunks the notion of an afterlife.